Sunday, May 24, 2020

The Swimming Pool Reconstruction At Naperville North

The swimming pool reconstruction at Naperville North was part of a two-part renovation project, including the parking lot where the students park their cars. This two-part project ended up costing the school $4,353,142.00, according to Lamp Incorporated Construction. Obviously, the parking lot renovations were completed for the beginning of the school year in August, because if they were not there would be no space for students to park and many people would be upset. There were fewer people to complain about the swimming pool not being completed for the start of the girls swim team season, so, logically, the parking lot was the more prominent focus of the construction workers to finish for the start of the school year. Needless to say the start of my high school swimming career did not go as I had imagined it, and the gender inequality became more and more evident as I continued in the Naperville North swim team program. We had early morning practice at Naperville Central, meaning we practiced earlier than a normal morning practice so we would have time to travel back to Naperville North. Sometimes the bus that would take us from Naperville Central in the morning to Naperville North was late and the swim team was late to class, which was frightening as a freshman. Then after school instead of going straight to practice we would go home, for what seemed like no time at all, and then we would have to change and get the carpool going so we could all get to Naperville Central to

Wednesday, May 13, 2020

How Glow in the Dark Stuff Works

Have you ever wondered how glow in the dark stuff works? Im talking about materials that truly glow after you turn out the lights, not the ones that glow under black light or ultraviolet light, which are really just converting invisible high energy light into a lower energy form visible to your eyes. There are also items that glow because of ongoing chemical reactions that produce light, like the chemiluminescence of glow sticks. There are also bioluminescent materials, where the glow is caused by biochemical reactions in living cells, and glowing radioactive materials, which may emit photons or glow because of heat. These things glow, but how about glowing paints or the stars you can stick on the ceiling? Things Glow Because of Phosphorescence Stars and paint and glowing plastic beads glow from phosphorescence. This is a process in which a material absorbs energy and then slowly releases it in the form of visible light. Fluorescent materials glow via a similar process, but fluorescent materials release light within fractions of a second or seconds, which is not long enough to glow for most practical purposes. In the past, most glow in the dark products were made using zinc sulfide. The compound absorbed energy and then slowly released it over time. The energy wasnt really something you could see, so additional chemicals called phosphors were added to enhance the glow and add color. Phosphors take the energy and convert it into visible light. Modern glow in the dark stuff uses strontium aluminate instead of zinc sulfide. It stores and releases about 10 times more light than the zinc sulfide and its glow last longer. The rare earth europium is often added to enhance the glow. The modern paints are durable and water-resistant, so they can be used for outdoor decorations and fishing lures and not just jewelry and plastic stars. Why Glow in the Dark Things Are Green There are two main reasons why glow in the dark stuff mostly glows in green. The first reason is because the human eye is particularly sensitive to green light, so green appears brightest to us. Manufacturers choose phosphors that emit green to get the brightest apparent glow. The other reason green is a common color is because the most common affordable and non-toxic phosphor glows green. The green phosphor also glows the longest. Its simple safety and economics! To some extent there is a third reason green is the most common color. The green phosphor can absorb a wide range of wavelengths of light to produce a glow, so the material can be charged under sunlight or strong indoor light. Many other colors of phosphors require specific wavelengths of light to work. Usually, this is ultraviolet light.To get these colors to work (e.g., purple), you need to expose the glowing material to UV light. In fact, some colors lose their charge when exposed to sunlight or daylight, so they arent as easy or fun for people to use. Green is easy to charge, long-lasting, and bright. However, the modern aqua blue color rivals green in all of these aspects. Colors that either require a specific wavelength to charge, dont glow brightly, or need frequent recharging include red, purple, and orange. New phosphors are always being developed, so you can expect constant improvements in products. List of Things That Really Glow in the Dark

Wednesday, May 6, 2020

Business Applications quiz Free Essays

The Dutton turns open windows transparent to reveal the desktop, letting you B) Show desktop C) peek D) Display desktop 5. To turn off the computer, you would open the Start menu, then click the on the right bottom of the menu. A) hibernate B) Turn off C) stop D) Shut down 6. We will write a custom essay sample on Business Applications quiz or any similar topic only for you Order Now Button A bar that appears on the right side of the menu when all items are not visible on the menu list is the B) Jump bar C) roll bar D) scroll bar 7. . A) scan bar When you have multiple windows open, you can minimize all but the active window by . A) dragging the title bar to the top of the window B) using Rare Flip D C) using Shake D) closing all windows except the active window 8. A Windows 7 feature that allows you to capture screen shots of any object on your screen is the . A) Snipping Tool B) Screen Shot Tool C) Print Screen Tool D) Capture Tool 9. The time before the screen saver starts is called the B) watt C) Delay D) Pause 10. Time. A) Start Virtual folders that display the contents of multiple folders as though the files were stored together in one location are B) Libraries C) Archives D) Collections 11. . A) Albums Another name for a hard drive is USB Flash drive. B) False False 12. Two or more windows can be active at the same time. A) True 13. Shortcuts can ONLY be added to the desktop. 14. You should extract files before sending them as e-mail attachments. A) True 15. You can double-click the of a window to maximize it or to restore it. Title bar 16. When a program is pinned to the 0. 0/8. 0 task 17. Only one click is required to open it. In the Windows Explorer window, Local Disk (C:) refers to the computer. 8. 0/8. 0 hard drive on your How to cite Business Applications quiz, Papers

Tuesday, May 5, 2020

Modern Dance Essay Example For Students

Modern Dance Essay Twyla Tharp once said, â€Å"You have to be either hopelessly passionate, or very stupid. † Vivacious, innovative and unique are a few of the words that come to mind when one thinks about the life and times of dancer, choreographer, and legend, Twyla Tharp. In her early life Twyla was constantly on the go. She was a busy child, who had a broad spectrum of dance experience. The author of Howling Near Heaven explains, â€Å"The oldest of four children, she had an ambitious mother who pushed her into improving studies from preschool age: piano, violin, viola, elocution, painting, German and French, baton twirling, and of course, dance lessons† (Siegel, 3). With an early life as busy as Twyla’s, there is no surprise that her ambition, drive and talent only continued as she grew up. Twyla began her educational path at Pomona College and studied dance. She later transferred to Barnard College and honed in on her talents in ballet at the American Ballet Theatre. At the tender age of 23 she began her own dance company, The Twyla Tharp Dance Company, and in the early 1970’s it achieved great success. Some of the most famous productions were Time Goes By (1973) and her first Broadway hit in 1980, When We Were very Young (Biography. com). Being such a dominant force that early in her life foreshadowed the success that was bound to follow Twyla. The author explains: She disliked thinking any one movement was more interesting than any other; she didn’t work for rising and falling curves of excitement, dramatic climaxes, and picturesque stage effects. If there was to be any thrill involved, it should come from the extraordinary range of challenges she threw at the dancers and the audience (Siegel, 21). Her colorful and vast dance experience surely played a role in the development of her dance style and creations that are so widely known and acclaimed. Tharp used dance as an outlet of expression and brought life to her pieces. Furthermore, â€Å"Dancing in the studio is what kept her going; it made her happy and drew the dancers to her† (Siegel, 148). The author goes on to say, â€Å"Tharp had always buried her feelings superbly in form and abstraction. Some of her most heartfelt dances were perceived as formal, stylistic essays† (Siegel, 148). It is apparent that deep emotion and feelings are immersed into her dances. She captivates people with her unique dance developments and has changed the face of dance. Her production of When We Were Very Young was her first leap at Broadway and was a huge success. One of the dancers states, â€Å"The solo encompasses just about everything I know about dancing and endurance and theatrics and performance. That’s the most satisfying role I’ve ever danced† (Siegel, 160). The affection that the dancers have for Tharp, pails in comparison to the admiration of her fans, that resulted from the show. She followed her first Broadway production with several more, including The Catherine Wheel, Singin’ in the Rain, and Movin’ Out (John F. Kennedy Center for the Performing Arts). Russian dancer Mikhail Baryshnikov had a great impact on Twyla. She met Mikhail at the Spoleto Festival, and her dancing entranced him. He says, â€Å"She made the dancers look like sort of men and women on stage being in a way very whole and very themselves and very grounded and without playing a character, being the people of the streets† (Siegel, 107). This was an artistic match that made amazing dances that dazzled audiences. He brought fame to the company and also taught Tharp about refining ballet, while showcasing the ingenious choreography she had created. He later became the director of the company and was pivotal in inspiring and bringing Twyla’s dances to life. .ue7d42924ecf0184bc5d5dfcfe791863d , .ue7d42924ecf0184bc5d5dfcfe791863d .postImageUrl , .ue7d42924ecf0184bc5d5dfcfe791863d .centered-text-area { min-height: 80px; position: relative; } .ue7d42924ecf0184bc5d5dfcfe791863d , .ue7d42924ecf0184bc5d5dfcfe791863d:hover , .ue7d42924ecf0184bc5d5dfcfe791863d:visited , .ue7d42924ecf0184bc5d5dfcfe791863d:active { border:0!important; } .ue7d42924ecf0184bc5d5dfcfe791863d .clearfix:after { content: ""; display: table; clear: both; } .ue7d42924ecf0184bc5d5dfcfe791863d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue7d42924ecf0184bc5d5dfcfe791863d:active , .ue7d42924ecf0184bc5d5dfcfe791863d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue7d42924ecf0184bc5d5dfcfe791863d .centered-text-area { width: 100%; position: relative ; } .ue7d42924ecf0184bc5d5dfcfe791863d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue7d42924ecf0184bc5d5dfcfe791863d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue7d42924ecf0184bc5d5dfcfe791863d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue7d42924ecf0184bc5d5dfcfe791863d:hover .ctaButton { background-color: #34495E!important; } .ue7d42924ecf0184bc5d5dfcfe791863d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue7d42924ecf0184bc5d5dfcfe791863d .ue7d42924ecf0184bc5d5dfcfe791863d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue7d42924ecf0184bc5d5dfcfe791863d:after { content: ""; display: block; clear: both; } READ: Dance EssayTwyla and Baryshnikov continued to think of innovation and expansion as they began to move towards televised dance sequences. A project called Making Television Dance was documented by Joel Gold and was filmed in black and white. Baryshnikov says she was not the easiest person to be partnered with, â€Å"She was very spontaneous, of course, and trying too much to help the partner. And that’s always wrong† (Siegel, 117). Tharp constantly strived for perfection and expected her partners to follow suit. This dance sequence was an imaginative dance video and was an anthology for Twyla. The evolution of her dances making it to the TV screen opened up a new avenue for the expression and presentation of her dances. Perhaps Tharp’s biggest challenge and opportunity came with the offer to be apart of the Hollywood production of Hair. Tharp explains, â€Å"I wasn’t sure that I wanted to be involved with a director, that I wanted to have to be put at the mercy of the project† (Siegel, 124). Tharp had been accustomed to being in absolute control and found a bit of a power struggle with director, Milos Forman. Her fears were accurate, when many of the dances she had made were edited out of the film. Despite disagreements with the director, Twyla did what she was known for doing best: adding dance and movement wherever she could. The author states: She choreographed movement wherever she could. She choreographed gestures throughout the movie, basic training exercises, Frisbee games, and a massive peace rally. Her tactics ranged from full-out dancing to ingeniously scaled-down steps for the actors with limited dance ability (Siegel, 128). Twyla added life and movement to the film that captured the spirit of the subject. Milos did not fully appreciate the intensity and creative expression of dance and seemed to ignore Tharp’s request for more dancing. Regardless of the disagreements that ensued, Hair was a platform for further fame and success with films, and gave Twyla more notability and recognition. Tharp became involved in other movies such as Ragtime, Amadeus and White Nights. Tharp produced a television production entitled Baryshnikov by Tharp. This production yielded great success and Twyla received three Emmy Awards and a Director’s Guild of America Award for the special Academy of Achievement). Finally, Tharp was being recognized as an accomplished choreographer and received awards for her accomplishments. Tharp continued to create ballets from the late ‘80’s to the early ‘90’s. She reunited her dance company and worked in a program called Cutting Up, which featured Baryshnikov. Tharp also published an autobiography entitled Push Comes to Shove, in 1992. Bibliography: Siegel, Marcia B. Howling near heaven: Twyla Tharp and the reinvention of modern dance. New York: St. Martins Press, 2006. Print. Twyla Tharp. Bio. AE Television Networks, 2014. Web. 9 May 2014. Twyla Tharp. The John F. Kennedy Center for the Performing Arts. N.p., n.d. Web. 9 May 2014.